C I N E M A H O L I C

Badlapur (2015) One More Bad day, and either im a isolated-loner mf like Raghu or a vitalistic, optimistic like Liak

Kung Fu Hustle (2004) Fuck the Godfather Trilogy and every other Gangster Movies, this is the only Gangster movie that you need. Brainrot before Brainrot was even a thing. A movie which introduced us that coolness is (or can be) achieved through silliness.

Watched a good indian web series after a while "Raakh" in amazon prime starring ali faizal as main lead follows the story of real life serial killers ranga billa I liked the screenplay how they merged diffrent timelines in it also acting was to the point and music was so good at intense scenes Tip- watch black warrant ep-2 after completing this series for little sequel

Enough with Originals, let's talk about Remakes — Kaante (2002) is much more than just a remake. While it's often compared to Reservoir Dogs, the film also takes inspiration from Heat and The Usual Suspects, blending all three influences surprisingly well. What makes Kaante work is that it doesn't just copy its inspirations. It adapts them to a Bollywood sensibility. The film takes time to develop its characters and their arcs, making you care about them and even root for them despite their flaws. It's also incredibly stylish. Watching a group of sharply dressed criminals plan and execute a bank robbery in the US just looks cool as hell. But where the film truly excels is in its performances, memorable dialogues, the 2000s aesthetics, and soundtrack especially "Jaane Kya Hoga Rama Re." While the film occasionally feels overlong and some emotional moments are melodramatic, its style, performances, and engaging character dynamics make it one of Bollywood's most successful Hollywood-inspired crime thrillers.

The Mehta Boys It is always difficult to watch a film about fathers and sons. Some send me into a deep rabbit hole of hate and sometimes into a tunnel of grief. On the rare occasions, both. Somewhere you find yourself questioning the parasocial bond created between a fictional father figure, placing myself in the son's shoes. The Mehta Boys did the same, where I placed myself in Amay's shoes and lived a what-if with my father and this is where I fucking love cinema where it gave me some sense of closure where probably my father was present and probably we had a candlelight dinner under an undercast sky, reminiscing that probably the bad will never take over the good between me and my father. Closure can be a weird thing or actually, the lack of it is what keeps me going on the search for beautiful people in beautiful stories. The Mehta Boys is a reminder of that - that cinema sometimes is not meant to make you live a grand fantasy, maybe it can be a simulacrum of something like a hug between father and son.

My Type of Train To Busan. Movie - Kill (2023)