тонкая шпация и неразрывный пробел

21 August 2026 GD Foundry Капитально. — GD Trio — Marcus Gärde Christoffer Granström Anders Wikström — Styles — 7 #display #serif #text #trial

20 August 2026 Emigre Шесть лет работы. Три начертания. Классик. — Franglais — John Downer — Styles — 3 #display

20 July 2026 Typefaces Любопытно. — Casamira — Adrien Midzic — Styles — 6 #display #text #sans

19 July 2026 Alias Type Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. — Schism — Gareth Hague — Styles — 8 #display #sans

82 Styyles of Jubille by off-type Transforming the legacies and visual codes of British institutions, Jubilee is a bold reimagining of tradition. #trial #serif #sans #display

18 July 2026 Chill Type Плотно A large x-height, narrow width and high contrast punctuation cement it as a solid display typeface with a unique character — Sektor — Vedad Silja — Styles — 1 #display #serif

17 June 2026 Apex Type Foundry Цветы в черно-белом изводе Originally conceived as a dramatic serif revival, Oratorio gradually blended Baroque intensity with contemporary finesse. Rooted in the expressive rhythms of “Halbfette Cantate” (a display face released around 1910 by H. Berthold AG and designed by Johann Graf), Oratorio infuses sweeping swashes and lyrical terminals reminiscent of Ed Benguiat’s flamboyant 1970s classics. The result is a hybrid typeface with a rich, theatrical voice —unapologetically bold yet unmistakably modern. — Oratorio — Alex Chavot — Styles — 1 #display #serif

16 June 2026 Future Fonts Диковатый курсив 🤸‍♀️ — Goetia — Benjamin Tuttle — Styles — 10 #display #sans #text

15 May 2026 Commercial Type Расширение по акции — Action Grotesque — Erik van Blokland — Styles — 16 #display #sans #VF #text

14 May 2026 Type.today Разнобразно. Даже слишком. — Fluxetype Collection — Никита Канарёв — Styles — 84 #display #sans #VF #text

13 May 2026 The Pyte Foundry Под старину повторно 💫 Paying tribute to the stylistic diversity of the 19th century, the Pyte Foundry offered a weekly free-font every Monday of the year 2016. With its spontaneous manufacture and limited availability, these throw-ups served as a critical playground reflecting on the desire production mechanisms intrinsic to the inaccessibility of historical material. The Pyte Legacy Library comprises a more considered and curated selection of these Display weirdos, completely overhauled and expanded from their initial versions. __ Pyte Legacy — The Pyte Foundry — Styles — 6 #display #serif #trial

12 May 2026 Peregrin Studio® Курсив 👀 Ashcroft® is loosely rooted in the British humanist tradition — “humanist” meaning letters with more warmth, movement, and hand-shaped character than a purely mechanical sans-serif, especially the more personal style of old London Underground posters and other public-facing display type at the time. You can feel traces of Gill and Albertus in that mix, but it is not trying to revive any one source. The aim was to bring those influences together into something new. __ Ashcroft — Peregrin Studio — Styles — 16 #display #text #serif #trial

11 Mayl 2026 Lineto Машинопись 📄 __ Electa — Luca Pellegrini — Styles — 9 #display #serif #mono #trial

Caslon Rounded by Commercial Type Чуть точнее, чем автор шрифта постом выше, про источник вдохновения: “… the first rounded typeface was cut by the Caslon & Catherwood foundry in 1836…”

10 April 2026 Benjamin Tuttle (Future Fonts) Два наклона на одно нормальное нечертание. Плюс росчерки и альтернативы. __ Racquet is a rounded sans serif with display tendencies. It is a reinterpretation and amalgamation of a handful of historic European typefaces from the late 1800s Racquet — Benjamin Tuttle — Styles — 3 #display #sans

09 April 2026 MCKL Множество оттенков узкого. __ Atlantic takes inspiration from the original nameplate of The Atlantic’s first issues from 1857, researching the origin of the printer and type foundry involved in the original publication. This led us to specimens in the Scotch Roman genre with a uniquely American flavor. Atlantic — Jeremy Mickel With assistance from: Marko Hrastovec Douglas Hayes — Styles — 42 #display #serif

A2 Typeface ——>>> Sorry, we don’t supply trial fonts anymore. We tried and found it unmanageable. Maybe you can use the type tester above? Download our font specimens or simply buy the fonts – your support will enable us to continue developing new fonts for everyone.